Hollywood's "Gentle Giant" shocked the world in 1985—and this shock would continue to make waves well after his death.
What was intended to be an innocuous plug for an upcoming TV show ignited a national conversation about HIV/AIDS.
In July of 1985, popular actor Rock Hudson traveled to Carmel, Ca., for a public appearance alongside longtime acting partner, Doris Day. Day, an animal rights activist who starred in films such as “Pillow Talk” and “Send Me No Flowers,” had decided to return to the screen via “Doris Day’s Best Friends,” a Christian Broadcasting Network-sponsored show that centered on animals.
But when Hudson, who often played Day’s love interest in films, stepped out to greet the audience, a nation gasped.
That day, reporters did not see Rock Hudson, the man whose buff physical appearance had led many to associate him with a quintessentially American brand of masculinity over the course of his career. Rather, they saw his ghost: rail thin and quivering, sarcomas scarred his body.
Just what had happened to the nation’s “Gentle Giant?”
Speculation came quickly: Was it liver cancer? That was, at the very least, what publicist Dale Olson said shortly after Hudson collapsed while on a subsequent trip to Paris that month.
Of course, it was only a matter of time before Americans — and more generally, the world — learned what stood at the root of Hudson’s spectral appearance: HIV/AIDS.
Indeed, the actor — who, like many homosexual men, concealed his sexual orientation from audiences for the duration of his career — had been diagnosed with HIV/AIDS just a year earlier in June of 1984. Three months after his final appearance with Day, Hudson succumbed to the illness. He was 59 years old.
An Epidemic Unaddressed
Advances in medicine over the past several decades mean that these days, an HIV/AIDS diagnosis does not necessarily spell imminent death. Likewise, as researchers and the public have learned more about the disease — namely that it cannot be contracted solely by “bad” or “deviant” behavior — HIV/AIDS has lost much of the social stigma it carried in the height of the 1980s epidemic.
In light of these changes, Hudson’s public appearance in 1985 was all the more momentous. By that year, HIV/AIDS had already killed thousands of people, and medical researchers knew remarkably little about it or how it spread. This lack of knowledge, coupled with its then sure-fire death sentence, made the nature of HIV/AIDS — and the nature of the person who had it — subject to wild, often homophobic speculation.
There was some factual basis for focusing on the gay community when attempting to understand the disease, at least initially. When researchers first identified the disease in 1981, it presented among clusters of homosexual men in Los Angeles and New York City.
It was this early association between homosexual populations and the disease that led researchers — and more broadly, the public — to believe that the disease could only be found in homosexual men.
As Gregory Herek and John Capitiano note, early media reports thus referred to the disease as “gay cancer” and “gay plague,” with some health service professionals going so far as to deem it “Gay-related immune deficiency” or GRID.
It didn’t take long before members of the Christian Right used the association between sexual difference and disease to frame the epidemic as a consequence of insalubrious, if not ungodly, behaviors. As Patrick Buchanan wrote in 1987:
“There is one, only one, cause of the AIDS crisis—the willful refusal of homosexuals to cease indulging in the immoral, unnatural, unsanitary, unhealthy, and suicidal practice of anal intercourse, which is the primary means by which the AIDS virus is being spread through the ‘gay’ community and, thence, into the needles of IV drug abusers, the transfusions of hemophiliacs, and the bloodstreams of unsuspecting health workers, prostitutes, lovers, wives children.”
That there was a general lack of leadership from the Oval Office did not help matters. Indeed, it was not until May of 1987 that then-President Ronald Reagan gave a major public speech on the epidemic — and even then, reports suggest that the speech only came after actress Elizabeth Taylor, a friend of Hudson’s, requested that Reagan acknowledge the issue.
Most accounts suggest that it was, in general, an uphill battle to get the Administration to move on the unfolding crisis. Two years prior to his seminal speech on the matter, the Reagan administration — generally disinclined to a centralized response to the crisis — recommended cutting federal spending on AIDS by $10 million, which journalist Hank Plante notes made the city of San Francisco’s budget for HIV/AIDS larger than the HIV/AIDS budget for the entire country.
In fact, any federal spending increases on combating HIV/AIDS would not be born from administrative leadership, but from the Hill. As the Office of Technology Assessment, a congressional agency, reported in 1985, “increases in funding specifically for AIDS have come at the initiative of Congress, not the Administration.”
But when Rock Hudson succumbed to the disease, many firsthand accounts noted that attitudes and attention devoted to the topic changed — and on multiple levels.
On the one hand, Hudson became the first celebrity, and thus the first public face, of the mortal cost of HIV/AIDS. For better or worse, that one of Hollywood’s “golden children” could die from HIV/AIDS — which, again, at this point was still associated with “bad behavior” — pushed the epidemic to TV screens and magazines across the country.
Indeed, the toll of HIV/AIDS could no longer be ignored by those not immediately impacted by it.
As comedienne Joan Rivers told People Magazine in 1985:
“Two years ago, when I hosted a benefit for AIDS, I couldn’t get one major star to turn out…Rock’s admission is a horrendous way to bring AIDS to the attention of the American public, but by doing so, Rock, in his life, has helped millions in the process. What Rock has done takes true courage.”
To those living with the disease, Hudson’s courage altered the way that they perceived their own circumstances, and what to do about it.
“After Rock’s announcement, I reported on an AIDS-support-group meeting,” former Entertainment Tonight host Jeanne Wolf told Entertainment Weekly in 1997. “A man said that a few days ago, he was just another person with AIDS whom nobody cared about. Now, he said, ‘I have Rock Hudson’s disease, and everything has changed.’”
That’s not to say that Hudson sparked uniform agreement on how best to respond to the epidemic, either in Hollywood or on Capitol Hill, however.
For instance, following Hudson’s appearance, People Magazine reported that “actresses agonized over the tongue-tangling kisses most love scenes currently require,” and that the fear of contracting HIV/AIDS through saliva escalated to the point that “the Screen Actors Guild announced that open-mouthed kissing was ‘a possible health hazard’ and informed producers that actors must be notified when they are hired if the role will require such an act.” Actor Charlton Heston went so far as to say that “a member of a high-risk group has an obligation to refuse to do a kissing scene.”
In 1987, when Hudson’s death and other mounting fatalities rendered HIV/AIDS unignorable, Congressional conservatives still attempted to inject their own morality into governing the emergency.
Indeed, North Carolina Senator Jesse Helms would propose legislation that barred the use of federal funds for AIDS prevention and education campaigns that “[promoted] or [encouraged], directly or indirectly, homosexual activities” and permitted their use solely for campaigns that would address “a large number of people from all backgrounds—male, female, homosexual or heterosexual,” Smithsonian wrote.
No matter the initial hysteria, though, those living at the time say that Hudson’s death sparked a sea change in attitudes toward HIV/AIDS — and one that would outlast reactionary panic and an administration that had to be consistently pressed to do anything to address the crisis.
“From an AIDS-activist viewpoint, Hudson’s announcement was the best thing that had happened since AIDS started,” Bill Misenhimer, the first director of the Foundation for AIDS Research, told Vanity Fair. “Because, finally, people could connect a name to AIDS.”
After reading about how Rock Hudson’s AIDS changed how America’s approach to the virus, read about David Kirby, the HIV/AIDS-stricken man whose photo helped spark national dialogues over the 1980s AIDS epidemic.