Pablo Picasso Was Trigger Happy
Pablo Picasso did not like to discuss his art with his fans — and he meant it. According to Arthur I. Miller’s book Einstein, Picasso: Space, Time and the Beauty that Causes Havoc, Picasso carried around a Browning revolver loaded with blanks and would fire at anyone he found too meddlesome.
This didn’t come from nowhere: Symbolist French playwright Alfred Jarry inspired the Cubist artist, who seemed to imitate Jarry with the whole gunslinger act. “Like Jarry, Picasso used his Browning as a pataphysical weapon, in a sense playing Pere Ubu au natural, disposing of bourgeois boors, morons and philistines,” Miller wrote.
Pere Ubu was the main character in Jarry’s 1896 absurdist play Ubu Roi.
Georgia O’Keeffe Painted In Her Car
According to Carolyn Kastner, curator at the Georgia O’Keeffe Museum in Santa Fe, the abstract painter preferred working inside her Model A Ford. She even called it her “favorite studio.”
As odd as that may sound, the car-studio served a purpose: It allowed O’Keeffe to escape the summer sun of Ghost Ranch, New Mexico, where she stayed through the summer and into the fall in order to capture the rich hues of the surrounding landscape.
The four-wheel studio also helped protect her from bees. Indeed, desert bees would swarm the artist and sometimes force her to roll up her car windows while painting.
Sitting in a tin box with zero ventilation in 100-degree heat actually yielded some artistic successes. For instance, O’Keeffe completed her 1936 painting Gerald’s Tree, one of her most acclaimed pieces of art, from the backseat of her Ford.